Sharrock, Lee. “FAD Magazine Venice Biennale Top 10”, FAD Magazine, May 17, 2019

Sandals, Leah. “Nadia Myre and Alan Michelson Recraft Venice’s Link to Indigenous Peoples”, Canadian Art, May 9, 2019


Horton. Jessica L. "'All Our Relations' as an Eco-Art Historical Challenge: Lessons from Standing Bear's Muslin," Ecologies, Agents, Terrains (Clark Art Institute and Yale University Press)

Green, Christopher. “In the Studio: Alan Michelson,” Art in America, November 21, 2018

Bradford, John. “A Dark Chapter of Our History Through the eye of visual artist Alan Michelson”, September 23, 2018, 4BRANT

Ethical Encounter in Alan Michelson’s TwoRow II,” Decolonization: Indigeneity, Education, and Society, Volume 7, Issue 1, 2018

Jaojoco, Patrick. “Indicators: Artists on Climate Change,” The Brooklyn Rail, July  11, 2018

Bury, Louis. “The Ghosts of Our Future Climate at Storm King”, Hyperallergic, July 29, 2018 

Baldwin, Brent. “The Artist Behind the New Virginia Indian Monument Talks About Its Symbolism”, Style Weekly, April 24, 2018

Carrington, Ronald E. “New Capitol Square Monument honors Virginia’s native tribes”, Richmond Free Press, April 19, 2018   

Martz, Michael. “‘Mantle,' a monument to Virginia's Indian tribes, dedicated at state Capitol”, Richmond Times-Dispatch, April 17, 2018 
Scott, Andrea K. “Unholding, an Art Show about America,” The New Yorker, January 22, 2018 

Smith, Roberta and Schwendener, Martha. “What to See in New York Art Galleries This Week”, The New York Times, January 10, 2018

Stevenson, Shaun A. “Decolonizing Hydrosocial Relations: The River as a Site of 

Cheetham, Mark A. Landscapes into Eco Art: Articulations of Nature Since the 60’s, Pennsylvania State University Press


Schilling, Vincent. “Olympian Billy Mills Announces Historic Monument: the Virginia Indian Mantle”, Indian Country Today, June 29, 2017


Green, Christopher. “Weaving Past into Present: Experiments in Contemporary Native American Printmaking,” The Brooklyn Rail, November 5, 2015 


Horton, Jessica L. and Smith, Cherise. "The Particulars of Post-Identity", American Art, Vol. 28, No. 1, University of Chicago Press



Tabobondung, Rebeka, "Ghost Dance: Activism. Resistance. Art.", Muskrat Magazine, October 29, 2013

Johnston, Alex. "Aboriginal Activist Art", Prezi, October 23, 2013 

Whyte, Murray. "Ghost Dance at Ryerson Image Centre: outrage for the past; hope for the future", Toronto Star, October 12, 2013

Nahwegahbow, Barb. "Ghost Dance explores the artist as activist", Windspeaker, Volume 31, Issue 7, 2013

Sopova, Alexandra. "Moscow Art Biennale offers a model for the world", Russia Beyond the Headlines, September 20, 2013 

Golubock, D. Garrison. "5th Biennale Opens Main Exhibit ‘More Light’", The Moscow Times, , September 20, 2013

Indigenous. Global, Now. The Sakahan Symposium, National Gallery of Canada, Ottawa, Ontario, May 17, 2013


Horton, Jessica. "Eighteenth Biennale of Sydney", Artvoices Magazine, October 2012 

Green, Kristen. "Tribute to Va. Indians narrowed to 2 designs", Richmond Times Dispatch, September 23, 2012 

Sullivan, Eve. "Biennale of Sydney: a pleasure bender for art hooligans", ABC (Australian Broadcasting Corporation) Blog, August 14, 2012 

Rosenbaum, Lee. "Native, North American, New", Wall Street Journal(Arts and Leisure), August 7, 2012

Radok, Stephanie. "All our relations", The Adelaide Review, August 2012

Vitlin, Alex. "The 18th Biennale of Sydney: Contemporary art takes over the Harbor City", Cool Hunting, July 11, 2012

Miller, Alan. "Altogether Now: the 18th Biennale of Sydney", The Berkshire Review: an international journal for the arts, July 8, 2012 

Daly-Peoples, John. "More from the Biennale of Sydney", The National Business Review: Weekend Review (NZ)

Dixon, Guy. "Toronto festival spotlights an indigenous new wave that's 'starting to crest'", Toronto Globe and Mail, June 24, 2012

Roth, Moira. "Gleanings 18: Alan Michelson", Moira Roth's Gleanings on Tumblr (18th Biennale of Sydney: all our relations), May 23, 2012

Keating, Neal B. Iroquois Art, Power, and History, University of Oklahoma Press

Pohl, Frances K. Framing America: A Social History of American Art (Third Edition), Thames & Hudson


Morris, Kate. "Running the Medicine Line: Images of the Border in Contemporary Native American Art", American Indian Quarterly, volume 35, number 4, Fall 2011

Rickard, Jolene. “Visualizing Sovereignty in the Time of Biometric Sensors”, South Atlantic Journal, Spring 2011

Redwood, Tom. “Indigenous media art: complex visions,” RealTime Arts Magazine, issue #102, ARealTime Arts Magazine, April 19, 2011 

Denis, Marie-Alice. “GSA Honors 11 Winners With Design Awards”, General Services Administration 
(link to video)

University of Southern Australia, Stop(the)gap: International Indigenous Art in Motion

"Awaye!" Program, ABC (Australian Broadcasting Corporation) Radio National, March 19, 2011

"Indigenous art with Alan Michelson", US Studies Centre at the University of Sydney, March 3, 2011



Morris, Kate. “Art on the River: Alan Michelson Highlights Border-Crossing Issues”, Smithsonian Institution American Indian Magazine, Winter 2009 

Duane Blue Spruce & Tanya Thrasher, editors. The Land Has Memory: Indigenous Knowledge, Native Landscapes, and the National Museum of the American Indian, The University of North Carolina Press, Chapel Hill, NC

Smithsonian Archives of American Art, Avis Berman interviewer 

Tang Museum, Lives of the Hudson, Director John Weber interviewer


Heartney, Eleanor. GSA Art in Architecture Selected Artworks 1997-2008, U.S. General Services, Washington, DC

Deborah Everett and Elayne Zorn. Encyclopedia of Native American Artists, Greenwood Press, Westport, CT

Doan, Abigail. “Omi International Art Center Grows Greener”,, November 22, 2008

Jim Metzner’s “Sound and Story Project”, Storyscape radio program


Everett, Deborah. “Light on Shadowed Ground: Alan Michelson”, Sculpture Magazine, May 2007 

Chamberlain, Colby. “‘Thoreau Revisited’ and ‘Three for Society’”,

Milroy, Sarah. “A new look at our entangled worlds”, Toronto Globe and Mail, October 6, 2007 


Ash-Milby, Kathleen E. “Contemporary Native American Art in the Twenty-First Century: Overcoming the Legacy”, European Review of Native American Studies, 19:1, 2005 

Hemispheric Institute for Performance and Politics featured interview, Raquel Chapa interviewer


McLellan, Marian. “The Birds”, New Orleans Art Review, March/April 2004

“Six O’Clock News”, CKCO, Kitchener, Ontario


Zimmer, William. “Out of the Water, Inspiration”, New York Times, December 28, 2003 

Schutte, Christoph. “Geschichte ist oft sehr schmerhaft”, Frankfurter Allegemeine, June 7, 2003 

Fisher, Jean. Vampires in the Text: Narratives of Contemporary Art, Institute of International Visual Arts, London

“Hauptsache Kultur”, Hessicher Rundfunk, German TV


Kymberly N. Pinder, editor. Race-ing Art History: Critical Readings in Race and Art History, Routledge, New York


“Art Zone”, BBC Radio


Brian Wallis, editor. Art Matters: how the culture wars changed America, NYU Press, New York


Lustig, Jessica, ed. “Takeout: Art”, TimeOut New York, March 19-26, 1998

Gould, Claudia; Smith, Valerie. 5000 Artists Return to Artists Space: 25 Years, Artists Space, New York


“City Arts”, Thirteen WNET


Camhi, Leslie. “Accounts Paid”, Village Voice, December 17, 1996

Cotter, Holland. “Red River Crossings”, New York Times, November 29, 1996

“Sunday Morning”, CBC Radio


Harrison, Helen. “Messages Communicated by the Detritus”, New York Times, October 30, 1994 


Canning, S. “Trade Routes”, New Art Examiner, December 1993

“L’Atelier”, FR3, French


Fisher, Jean. “In Search of the ‘Inauthentic’”, Art Journal, Fall 1992

Tarkington, Melissa, “Art Signs Challenge ‘History’”, New York Newsday, June 26, 1992

“Seventh Generation: What Columbus Learned”, WSKG Public Television

“Kultur Revecz”, Hungarian National TV

“Edge 92”, ITV, London


Zimmer, William. “Everyday Expectations With a Twist”, New York Times, December 23, 1990 

Kahn, Eve. “Strata”, The New Yorker, October 22, 1990

1988 Morgan, Marie. “Re-Visions”, Vanguard, April/May 1988


Lippard, Lucy R. “Holding a mirror up to America”, The Guardian, December 16, 1987

Bauld, Harold. “Painters and Patrons”, Boston Magazine, September 1987


Narrett, Eugene. “Three Young Artists”, New Art Examiner, November 1986

Temin, Christine. “‘Three Young Artists’ truly a stellar show”, Boston Globe, September 13, 1986